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Context
Details
Jhumur Dance of Assam
Performance and Movements
Cultural Significance
Ancient Origins
Art Forms Of Assam
Art Form |
Description |
Regions Prominent |
Dance Forms |
||
Sattriya |
A classical dance form introduced by the Vaishnava saint Srimanta Sankardeva, it is performed in monasteries (Satras) and involves mythological storytelling through dance and drama. |
Majuli, Nagaon |
Bihu |
Performed during the Bihu festival, this dance celebrates the Assamese New Year. It is characterized by brisk dance steps and rapid hand movements, symbolizing the spirit of Assamese culture. |
Entire state |
Jhumur |
Traditional dance of the Tea tribes, performed by young girls and boys to the rhythm of traditional musical instruments. |
Tea gardens, Upper Assam |
Bhortal |
Developed by Narahari Burha Bhakat, this dance involves synchronized movements and the use of cymbals to create colorful patterns. |
Barpeta |
Theatre and Drama |
||
Ankia Naat |
One-act plays written in Brajavali (a mix of Assamese and Maithili), focusing on Krishna, often accompanied by music and dance. |
Majuli |
Handicrafts |
||
Cane and Bamboo |
Utilized for making various household items, furniture, and traditional articles like Jappi (traditional sunshade). |
Entire state |
Woodcraft |
Carving of intricate designs on wood for making household items, decorative panels, and traditional articles. |
Entire state |
Pottery |
Includes earthenware and terracotta items made by the Kumar and Hira communities, with Asarikandi known for its distinctive terracotta style. |
Asarikandi, Dhubri |
Metal Crafts |
Brass and bell metal crafts used to create utensils, religious items, and traditional artifacts like Xorai and Bota. |
Hajo, Sarthebari |
Masks |
Used in traditional performances and made from materials like bamboo, wood, and terracotta. |
Entire state |
Textiles |
||
Handloom Weaving |
Famous for its silks, especially Muga (golden silk), Eri, and Paat. Traditional garments include Mekhela Chador and Gamosa, with Sualkuchi being the main center of silk production. |
Sualkuchi |
Painting Styles |
||
Sattriya Style |
Developed in the Vaishnavite monasteries, using natural colors and depicting religious themes. |
Satras of Assam |
Court Style |
Developed during the Ahom rule, depicting secular themes and court life, often using professional artisans from various parts of India. |
Eastern Assam |
Dance Forms Of India
Category |
Dance Form |
State/Region |
Description |
Classical |
Bharatanatyam |
Tamil Nadu |
One of the oldest classical dance forms, based on the Natya Shastra. It combines expressive gestures, intricate footwork, and elaborate costumes. |
Classical |
Kathak |
Uttar Pradesh |
Known for its intricate footwork, spins, and expressive gestures. It has four main gharanas: Jaipur, Lucknow, Raigarh, and Benares. |
Classical |
Kathakali |
Kerala |
A dance-drama noted for its elaborate costumes, makeup, and face masks, depicting stories from Hindu epics. |
Classical |
Kuchipudi |
Andhra Pradesh |
A dance-drama that blends fast footwork and expressive eye movements. Originated in the village of Kuchipudi. |
Classical |
Odissi |
Odisha |
Characterized by its tribhanga posture and fluid torso movements. It originated in the temples of Odisha and is closely linked to Lord Jagannath. |
Classical |
Manipuri |
Manipur |
Emphasizes grace and fluidity, often enacting themes from the life of Radha and Krishna. It is known for its elegant movements and devotional nature. |
Classical |
Mohiniyattam |
Kerala |
Performed solo by women, characterized by graceful movements and a gentle, swaying motion. The name translates to "dance of the enchantress." |
Classical |
Sattriya |
Assam |
Originated in the Vaishnavite monasteries of Assam, depicting mythological stories. It was traditionally performed by male monks. |
Classical |
Chhau |
Odisha, Jharkhand, WB |
Combines martial arts, acrobatics, and storytelling. It features elaborate masks and vigorous movements. |
Folk |
Bihu |
Assam |
Celebrated during the Bihu festival, it reflects the joy of the harvest season. It is characterized by brisk steps, rapid hand movements, and festive music. |
Folk |
Ghoomar |
Rajasthan |
Performed by women, featuring graceful pirouettes and vibrant costumes. It is often performed during festivals and celebrations. |
Folk |
Garba |
Gujarat |
Performed in a circle during the Navratri festival. It involves rhythmic clapping and circular movements. |
Folk |
Lavani |
Maharashtra |
Known for its powerful rhythm and quick tempo, it blends traditional music with tales of deities. It often includes socio-political satire. |
Folk |
Bhangra |
Punjab |
A lively dance performed to the beat of the dhol. It celebrates harvest and festive occasions with vigorous movements and jumps. |
Folk |
Gidda |
Punjab |
A female counterpart to Bhangra, performed in groups, often featuring clapping, graceful movements, and traditional folk songs. |
Folk |
Dandiya Raas |
Gujarat |
Involves dancers striking sticks together in rhythmic movements. It is also performed during Navratri. |
Folk |
Kalbelia |
Rajasthan |
Performed by the Kalbelia community, known for its sensuous movements that mimic the movements of snakes. |
Folk |
Rouf |
Jammu and Kashmir |
Performed by women during festivals like Eid and Ramzan. It involves elegant footwork and synchronization in rows. |
Folk |
Kummi |
Tamil Nadu |
Performed by women, it involves rhythmic clapping and simple movements. It is a part of traditional festivities. |
Folk |
Yakshagana |
Karnataka |
A traditional theatre form that combines dance, music, dialogue, and elaborate costumes. It enacts stories from Hindu epics. |
Folk |
Dollu Kunitha |
Karnataka |
A drum dance performed by men. It features vigorous drum beats and synchronized group movements. |
Folk |
Karakattam |
Tamil Nadu |
A dance form performed in praise of the rain goddess Mariamman. Dancers balance pots on their heads while performing. |
Folk |
Chholiya |
Uttarakhand |
A sword dance performed during marriage processions. It has vigorous and dynamic movements. |
Folk |
Dalkhai |
Odisha |
Performed during the Dussehra festival by women. It involves rhythmic singing and dancing in a group. |
Folk |
Paika |
Odisha |
A martial dance form performed by the Paika community. It involves vigorous movements and mock combat techniques. |
Folk |
Nati |
Himachal Pradesh |
A popular dance form performed in fairs and festivals. It involves rhythmic movements and traditional songs. |
Folk |
Bagurumba |
Assam |
Performed by the Bodo community, it reflects the natural environment, imitating movements of butterflies, birds, and animals. |
Folk |
Kaikottikali |
Kerala |
A group dance performed by women during Onam and other festivals. It involves rhythmic clapping and graceful movements. |
Folk |
Fugdi |
Goa |
Performed by women during various religious and social occasions. It involves fast-paced movements and synchronized steps. |
Folk |
Cheraw |
Mizoram |
Also known as the bamboo dance, it involves dancers stepping in and out of bamboo poles that are clapped together in rhythm. |
State-Wise List Of Dance Forms In India
State/Union Territory |
Dance Forms |
Andhra Pradesh |
Kuchipudi, Vilasini Natyam, Kolattam, Dhimsa |
Arunachal Pradesh |
Aji Lamu, Roppi, Phoning |
Assam |
Bihu, Sattriya, Bagurumba, Jhumur, Ali Ai Ligang |
Bihar |
Jat-Jatin, Kajari, Jhijhiya, Bidesia, Jhumari |
Chhattisgarh |
Panthi, Raut Nacha, Gaur Maria, Karma, Damkach |
Goa |
Dekhni, Fugdi, Dhalo, Mando |
Gujarat |
Garba, Dandiya Raas, Tippani, Padhar, Bhavai |
Haryana |
Jhumar, Phag, Dhamal, Loor, Gugga, Khoria |
Himachal Pradesh |
Nati, Dangi, Chham, Lahauli, Namgen, Hikat |
Jammu and Kashmir |
Rouf, Bhand Pather, Dumhal, Kud |
Jharkhand |
Chhau, Jhumair, Phagua, Karma |
Karnataka |
Yakshagana, Dollu Kunitha, Krishna Parijatha, Bhootha Aradhane, Nagamandala, Karaga |
Kerala |
Kathakali, Mohiniyattam, Thiruvathirakali, Theyyam, Kaikottikali, Ottamthullal |
Madhya Pradesh |
Tertali, Gaur Maria, Kaksar, Ahiri, Karma, Matki |
Maharashtra |
Lavani, Koli, Tamasha, Dhangari Gaja, Pavri |
Manipur |
Manipuri, Thang Ta, Lai Haraoba, Pung Cholom |
Meghalaya |
Nongkrem, Shad Suk Mynsiem, Laho, Khuallam |
Mizoram |
Cheraw, Khuallam, Chheihlam, Solakia |
Nagaland |
Changlo-Sua lua, Zeliang, Kuki, Naga, Rangma, Aoling |
Odisha |
Odissi, Gotipua, Ghumura, Mahari, Chhau, Ruk Mar |
Punjab |
Bhangra, Gidda, Jhumar, Luddi, Kikli, Sammi |
Rajasthan |
Ghoomar, Kalbelia, Bhavai, Chari, Kathputli, Teratali |
Sikkim |
Singhi Cham, Khukuri, Chutkey, Maruni |
Tamil Nadu |
Bharatanatyam, Karakattam, Mayilattam, Kavadi, Poikkal Kudirai, Kummi, Kolattam |
Telangana |
Perini Shivatandavam, Lambadi, Bonalu |
Tripura |
Hojagiri, Garia, Lebang Boomani, Mamita |
Uttar Pradesh |
Kathak, Raslila, Nautanki, Charkula |
Uttarakhand |
Chholiya, Jhora, Chhapeli, Barada Nati, Tandi |
West Bengal |
Rabindra Nritya, Gaudiya Nritya, Chhau, Kathi, Gambhira, Tusu Parab, Dhali |
Andaman and Nicobar Islands |
Nicobarese Dance, Andamanese Dance |
Chandigarh |
Giddha, Bhangra, Jhumar |
Dadra and Nagar Haveli and Daman and Diu |
Tarpa Dance, Dhol Dance |
Lakshadweep |
Lava Dance, Kolkali, Parichakali |
Delhi |
Kathak, Bhagra, Gidda |
Puducherry |
Bharatanatyam, Garadi, Kollattam |
Sources:
PRACTICE QUESTION Q: Consider the following statements about classical dance forms in India:
Which of the above statements is/are correct? Options: A. 1 and 2 only Answer: D. |
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